That Drifting Poo Was Far Too Symbolic! These Are the TV Disappointments of the Year.

As we reflect on the television offerings of the past year, a handful of shows stand out not for their brilliance, but for their notable failures. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Plagued with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the final series began, it seemed as if it had at last found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the final season. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Yet, fans certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this show's issues. The recipient of a very rare no-star review, it was hard to know where to start listing the flaws. The laughably leaden dialogue? The tedious veneration of affluence and consumption? The almost deliberate procession of cliches? Performances so poor they felt borderline spiteful? Let’s just say “each and every one” and forget about this show again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence claims and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this three-part documentary which smirked its way at Sheen’s various bouts of reckless hedonism while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to endure proximity with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were plenty of other problems. Mainly that it was just really boring; a dispute over drug-selling territory between various cockney rogues which felt rather simplistic.

With Love, Meghan

Considering the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into quaint homemaking as intentional statements. But then you view them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a meme for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this documentary series chose not to explore them. Instead, the viewing was like consuming a sales brochure. She clearly has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you want? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The expectation was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of gifted emerging comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled with care. Rather, the series struggled painfully to find the right voice, lurching from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the brink of a breakthrough that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for explicit exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was disturbing shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Natasha Goodman
Natasha Goodman

A seasoned journalist with over a decade of experience covering UK politics and social issues, known for her insightful analysis.